|
The Japanese Garden House was
designed as a place for taking of tea, viewing the surrounding
gardens and meditating. Garden houses pre-dated and are considerably
larger than teahouses. The inspiration for this garden house came
from one in Takamatsu, Japan and was built during the Edo era, which
was 1615 to 1868.
The structure itself is a twelve mat
garden house. The number of mats refers to the Tatami (rice straw)
mats that are always three feet by six feet and determine the size
of the structure. The mats are never walked on with shoes . . . only
with stocking feet. This is a sign of respect and also a practical
matter as the mats are easy to soil, hard to clean and wear out
quite rapidly.
In the northwest corner is a
Tokonoma. This is a small alcove where artwork, ikebana, scrolls
and votives can be displayed. Jane Dunnewold, an internationally
known fabric artist, author and lecturer, created the feature piece
of fabric art. The altar table in the northeast corner is an Asian
antique piece of rare beauty but has no particular significance in
this setting. The screen above the table featuring cranes is typical
in garden houses and an actual visit by a crane is a symbol of good
luck. We have to be satisfied here with the painted cranes or the
live great blue heron (that are a sign of bad luck) as they eat the
Japanese Koi in the ponds.
The garden house was
completed in 2002 and is made of completely natural materials. It is
in the choice of materials and craftsmanship with which it is
assembled that the garden house attains its greatest elegance. The
framework is all of locally grown white oak and the decks are
constructed of ipe’
. . . a very dense tropical hardwood. As you entered you may have
noticed the antique entrance doors that are obviously of Asian
origin and are thought to be more than two hundred years old.
Please enjoy your visit
to the Gardens and the grand vistas and intimate niches. We hope you
will find serenity here.
|